Research presentation first given at ‘The Real and the Intermedial’ 16th international Film and Media Studies Conference at Sapientia University in Cluj-Napoca, Transylvania, in October 2015.

See the video with slides and subtitles at https://youtu.be/S8a3u_R0kIw

See the recording of my live presentation at the conference: https://youtu.be/PK66id2sa1Q

REFERENCES

Bazin, André, ‘The Ontology of the Photographic Image’, trans. by Hugh Gray, Film Quarterly, 13.4 (1960), pp. 4–9. http://links.jstor.org/sici?sici=0015-1386%28196022%2913%3A4%3C4%3ATOOTPI%3E2.0.CO%3B2-0

Blair, Paula, ‘Accommodating the Mess: The Politics of Appropriation in It for Others (2013)’, Acta Universitatis Sapientiae, Film and Media Studies, 12.1 (2016), pp. 149–165. https://www.sciendo.com/article/10.1515/ausfm-2016-0008

Doane, Mary Ann, ‘The Close-Up: Scale and Detail in the Cinema’, differences: A Journal of Feminist Cultural Studies, 14.3 (2003), pp. 89–111. http://muse.jhu.edu/journals/dif/summary/v014/14.3doane.html

Mulvey, Laura, Death 24x a Second: Stillness and the Moving Image (London: Reaktion Books, 2006).

Spielmann, Yvonne, ‘Intermedia in Electronic Images’, Leonardo, 34.1 (2001), pp. 55–61. http://www.jstor.org/stable/1576985

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