This week on All Pop, No Culture, the crew covers Hacks, The Lost Boys on Broadway, Transformers: The Movie, Star Trek: Strange New Worlds, and the new Resident Evil.

The episode opens with a discussion of Hacks, including Jean Smart and Hannah Einbinder's complicated relationship, the show's cross-generational appeal, and how it mixes genuinely funny comedy with ideas about aging, relevance, ambition, and women working in entertainment.

Lauren then gives an enthusiastic review of The Lost Boys musical on Broadway, praising its new music, staging, vampire effects, cast, and the way the musical expands the emotional story beyond the original 1980s film.

Kevin and Andrew revisit Transformers: The Movie on the big screen and dive into everything from Peter Cullen and Optimus Prime to the theatrical audio problems, the new animated epilogue, Toei versus ACOM animation, and why a movie designed to sell toys accidentally became a defining piece of childhood pop culture.

Eric makes the case for Star Trek: Strange New Worlds, including Ethan Peck's Spock, the new Kirk, Trelane, Q, and why the series succeeds by allowing Star Trek to be fun again.

The episode closes with Kevin's enthusiastic review of Resident Evil, a scary, funny, fast-moving adaptation that throws an ordinary courier into the middle of the Raccoon City nightmare. The discussion covers its IMAX presentation, Austin Abrams' relatable lead performance, game-inspired mechanics, jump scares, fandom backlash, and why it may be one of the strongest horror films of the year.