Zero History
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
13,26 € per i primi 30 giorni
Offerta a tempo limitato
Attiva il tuo abbonamento Audible a 0,99 €/mese per 3 mesi per ottenere questo titolo a un prezzo esclusivo riservato agli iscritti.
Offerta valida fino alle 23.59 del 29 gennaio 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmio di più del 90% nei primi 3 mesi.
Ascolto illimitato della nostra selezione in continua crescita di migliaia di audiolibri, podcast e Audible Original.
Nessun impegno. Puoi cancellare ogni mese.
Disponibile su ogni dispositivo, anche senza connessione.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Acquista ora a 18,95 €
-
Letto da:
-
Robertson Dean
-
Di:
-
William Gibson
A proposito di questo titolo
Whatever you do, because you are an artist, will bring you to the next thing of your own...
When she sang for The Curfew, Hollis Henry's face was known worldwide. She still runs into people who remember the poster. Unfortunately, in the post-crash economy, cult memorabilia doesn't pay the rent, and right now she's a journalist in need of a job. The last person she wants to work for is Hubertus Bigend, twisted genius of global marketing; but there's no way to tell an entity like Bigend that you want nothing more to do with him. That simply brings you more firmly to his attention.
Milgrim is clean, drug-free for the first time in a decade. It took eight months in a clinic in Basel. Fifteen complete changes of his blood. Bigend paid for all that. Milgrim's idiomatic Russian is superb, and he notices things. Meanwhile no one notices Milgrim. That makes him worth every penny, though it cost Bigend more than his cartel-grade custom-armored truck.
The culture of the military has trickled down to the street- Bigend knows that, and he'll find a way to take a cut. What surprises him though is that someone else seems to be on top of that situation in a way that Bigend associates only with himself. Bigend loves staring into the abyss of the global market; he's just not used to it staring back.
Watch a Video
Recensioni della critica
“[Gibson] weaves an unnerving tapestry of technology, violence and anxiety.”—The Daily Telegraph (London)
“Fascinating.”—The Seattle Times
“Uncanny.”—San Antonio Express-News
“Brilliant, entertaining, and bittersweet.”—io9
“Zero History is another smartly scouted roadmap of alternate routes through today’s global culture, as powered by what a friend of mine used to call the military-industrial-greeting-card complex. It’s a world where cool is king, but also the key to power—and the future.”—Milwaukee Sentinel Journal
“What matters [about Zero History] are the highly textured, brilliantly evocative prose and the stunning insights Gibson offers into what we perceive as the present moment—the implication being, per the title, that’s all we have left. Unsettling and memorable.”—Kirkus Reviews
“Fascinating.”—The Seattle Times
“Uncanny.”—San Antonio Express-News
“Brilliant, entertaining, and bittersweet.”—io9
“Zero History is another smartly scouted roadmap of alternate routes through today’s global culture, as powered by what a friend of mine used to call the military-industrial-greeting-card complex. It’s a world where cool is king, but also the key to power—and the future.”—Milwaukee Sentinel Journal
“What matters [about Zero History] are the highly textured, brilliantly evocative prose and the stunning insights Gibson offers into what we perceive as the present moment—the implication being, per the title, that’s all we have left. Unsettling and memorable.”—Kirkus Reviews
Ancora nessuna recensione