We Did Ok, Kid
A Memoir
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
Attiva il tuo abbonamento Audible con un periodo di prova gratuito per ottenere questo titolo a un prezzo esclusivo per i membri
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
We Did Ok, Kid
Letto da:
Kenneth Branagh, Anthony Hopkins
Acquista ora a 14,11 €
-
Letto da:
-
Kenneth Branagh
-
Anthony Hopkins
-
Di:
-
Anthony Hopkins
Academy Award-winning actor Sir Anthony Hopkins delves into his illustrious film and theatre career, difficult childhood and path to sobriety in his honest, moving and long-awaited memoir.
Born and raised in Port Talbot – a small Welsh steelworks town – amid war and depression, Sir Anthony Hopkins grew up around men who were tough, to say the least, and eschewed all forms of emotional vulnerability in favor of alcoholism and brutality. A struggling student in school, he was deemed by his peers, his parents and other adults as a failure with no future ahead of him. But, on a fateful Saturday night, the disregarded Welsh boy watched the 1948 adaptation of Hamlet, sparking a passion for acting that would lead him on a path that no one could have predicted.
With candour and a voice that is both arresting and vulnerable, Sir Anthony recounts his various career milestones and provides a once-in-a-lifetime look into the brilliance behind some of his most iconic roles. His performance as Iago gets him admitted into the prestigious Royal Academy of Dramatic Art and places him under the wing of Laurence Olivier. He meets Richard Burton by chance as a young boy in his art teacher’s apartment, and later, backstage before a performance of Equus as an established actor meeting his hero. His iconic portrayal of Hannibal Lecter was informed by the creepy performance of Bela Lugosi in Dracula and the razor-sharp precision of his acting teacher. He pulls raw emotion from the stoicism of his father and grandfather for an unforgettable performance in King Lear.
Sir Anthony also takes a deeply honest look at the low points in his personal life. His addiction cost him his first marriage, his relationship with his only child, and nearly his life – the latter ultimately propelling him toward sobriety, a commitment he has maintained for nearly half a century. He constantly battles against the desire to move through life alone and avoid connection for fear of getting hurt – much like the men in his family – and as the years go by, he deals with questions of mortality, getting ready to discover what his father called The Big Secret.
We Did OK, Kid is a raw and passionate memoir from a complex, iconic man who has inspired audiences with remarkable performances for over sixty years.
adbl_web_anon_alc_button_suppression_t1
Recensioni della critica
'A thoughtful and unvarnished account of a storied life and career'
'Honest, thoughtful and surprisingly tender'
'A thoughtful memoir giving insight into his craft, addiction and recovery'
'A compelling, bleakly humorous, oddly inspirational book'
'A success'
'Insightful, moving and deeply personal, it's the perfect gift this Christmas for lovers of cinema and storytelling'
'A rip-roaring yarn about the luck, talent and drive that made Hopkins an icon'
'Excellent on the intricacies of acting'
'What I admire about We Did OK, Kid is what I admire about Hopkins’s performances – he isn’t bothered about being lovable'
Ancora nessuna recensione