One spring day in 1683, a notary's clerk in Delft entered the home of the late Magdalena Pieters van Ruijven and stumbled upon one of the wonders of the seventeenth-century world: twenty paintings by Johannes Vermeer. Rather than dispel the mysteries of Vermeer's life, this discovery merely gave rise to more questions: How had this one Dutchwoman come to possess the majority of the master's work? And why have these images defied explanation for so long?

Acclaimed art historian Andrew Graham-Dixon fills these long-standing gaps in art history, presenting a dramatic and transformative new interpretation of Vermeer's life and work. Dixon considers Vermeer holistically, placing him in his complex historical, social, religious, political, and artistic context in order to understand what spaces he occupied in his life and how the texture of these spaces inspired his paintings and distinguished him from his artistic contemporaries.

Rich with piercingly direct descriptions of Vermeer's paintings, Graham-Dixon's biography is full of revelations. It upends the master's enigmatic reputation and depicts him instead as a pioneer of the early Enlightenment, a pacifist who was deeply affected by the wars and religious conflicts of the Dutch Republic and allied to a radical movement driven underground by persecution.