Transcription
A Novel
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Transcription
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Letto da:
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Seth Numrich
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Di:
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Ben Lerner
“Seth Numrich narrates this metaphysical, poetic journey with great sensitivity and a perceptive ear for heightened language.” — Kirkus
"[Narrator Seth Numrich] uses a credible Central European accent for Thomas and a softer voice than the main character’s for Max, helping make them three-dimensional in a way that reading them on the page never could.” — The Local Insider
From the “most talented writer of his generation” (The New York Times), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store—or to erase—our memories.
The narrator of Ben Lerner’s new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend Max. Thomas is a giant in the arts who seems to hail “from the future and the past simultaneously” and who “reenchants the air” when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house with no recording device, a fact he is mysteriously unable to confess.
What unfolds from this dreamlike circumstance is the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and an exploration of fathers and sons, male friendship and rivalry, and the challenges of parenting in a burning world. One of the first great novels about the early days of COVID, it is also a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Full of startling insight, but written with the intensity of a séance, Lerner shows us how the air is full of messages, full of ghosts. Ultimately Transcription demonstrates what only a work of fiction can record.
A Macmillan Audio production from Farrar, Straus and Giroux
Recensioni della critica
Advance Praise
“Ben Lerner’s novels contain some of the best art criticism I’ve encountered. His analysis is embodied but self-conscious, erudite but sincere. That’s why I’m looking forward to Transcription, about a non-interview with a ‘giant in the arts.’ I wouldn’t trust many writers to make a ‘plot’ like that worth my time, but I trust him.”
—Lisa Yin Zhang, Hyperallergic
“It’s every journalist’s worst nightmare, and yet, Lerner’s book still comes as a delightful exploration of mentorship, fatherhood, and a career in the arts, as well as a testament to our growing reliance on technology as a store of cultural memory.”
—CULTURED (Best Anticipated)
“Beautiful and resonant . . . Lerner’s lyrical narrative brims with insights into how memories take and change shape, the nature of father figures, and the ways an artist’s influence echoes through time. It’s a knockout.”
—Publishers Weekly (starred review)
“Transcription is another masterful intervention from a writer of unparalleled exactitude and intelligence. Lerner's linguistic precision, stylistic brilliance and philosophical range are not only thrilling things to encounter on the page, they are gentle surgical tools for a tender existential operation upon the reader. They crack open a profound reckoning with how we are living now, and the effect is genuinely startling. We call this fiction, but it is much, much more.”
—Max Porter, author of Shy
“Transcription is both dizzyingly accomplished and disarmingly tender—an acutely elegant and forensic meditation on the disorientation of what it means to be alive now.”
—Sophie Mackintosh, author of Cursed Bread
"Some of the most vivid, offbeat, and affecting writing Lerner has delivered . . . [Transcription is] surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along."
—Kirkus Reviews (starred)