There Was a Country copertina

There Was a Country

A Personal History of Biafra

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There Was a Country

Di: Chinua Achebe
Letto da: Adewale Akinnuoye-Agbaje
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A proposito di questo titolo

From the legendary author of Things Fall Apart comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war

The defining experience of Chinua Achebe’s life was the Nigerian civil war, also known as the Biafran War, of 1967–1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe’s people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war’s full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa’s most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.

Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria’s birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country’s promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers—they should speak for their history, their beliefs, and their people.

Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe’s place as one of the most vital literary and moral voices of our age.

"1966", "Benin Road", "Penalty of Godhead", "Generation Gap", "Biafra, 1969", "A Mother in a Refugee Camp", "The First Shot", "Air Raid", "Mango Seedling", "We Laughed at Him", "Vultures", and "After a War" from Collected Poems by Chinua Achebe. Copyright © 1971, 1973, 2004 by Chinua Achebe. Used by permission of Anchor Books, a division of Random House, Inc. and The Wylie Agency, LLC.
Guerre e conflitti Intrattenimento e personaggi famosi Militare

Recensioni della critica

"Foreign Policy Must Read 2012" by Books from Global Thinkers

“Chinua Achebe’s history of Biafra is a meditation on the condition of freedom. It has the tense narrative grip of the best fiction. It is also a revelatory entry into the intimate character of the writer’s brilliant mind and bold spirit. Achebe has created here a new genre of literature in which politico-historical evidence, the power of story-telling, and revelations from the depths of the human subconscious are one. The event of a new work by Chinua Achebe is always extraordinary; this one exceeds all expectation.”—Nadine Gordimer, winner of the Nobel Prize in Literature

“A fascinating and gripping memoir.” —The Wall Street Journal

There Was a Country ought to be essential reading…an eclectic range of insights and fascinating anecdotes.”—Financial Times

“Achebe writes in a characteristically modest fashion…Like much of Achebe’s other work, this book about the progress of war and the presence of violence has a universal quality. In a world where sectarian hatreds augmented by political mediocrity have fractured Syria and threaten to bring Israel and Iran to blows, There Was a Country is a valuable account of how the suffering caused by war is both unnecessary and formative.”—Newsweek

"Memoir and history are brought together by a master storyteller."
The Guardian

Ancora nessuna recensione