-
The Wild Duck - Henrik Ibsen
- Di: Henrik Ibsen
- Podcast
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
-
Riassunto
Episodi
-
Apr 26 202238 minRiprova più tardiRiprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardiNon è stato possibile aggiungere il titolo alla Libreria
Per favore riprovaNon è stato possibile seguire il Podcast
Per favore riprovaEsecuzione del comando Non seguire più non riuscita
-
Apr 26 202241 minRiprova più tardiRiprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardiNon è stato possibile aggiungere il titolo alla Libreria
Per favore riprovaNon è stato possibile seguire il Podcast
Per favore riprovaEsecuzione del comando Non seguire più non riuscita
-
Apr 26 202243 minRiprova più tardiRiprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardiNon è stato possibile aggiungere il titolo alla Libreria
Per favore riprovaNon è stato possibile seguire il Podcast
Per favore riprovaEsecuzione del comando Non seguire più non riuscita
Sintesi dell'editore
The Wild Duck (1884) (original Norwegian title: Vildanden) is by many considered Ibsen's finest work, and it is certainly the most complex. It tells the story of Gregers Werle, a young man who returns to his hometown after an extended exile and is reunited with his boyhood friend Hjalmar Ekdal. Over the course of the play, the many secrets that lie behind the Ekdals' apparently happy home are revealed to Gregers, who insists on pursuing the absolute truth, or the "Summons of the Ideal". Among these truths: Gregers' father impregnated his servant Gina, then married her off to Hjalmar to legitimize the child. Another man has been disgraced and imprisoned for a crime the elder Werle committed. Furthermore, while Hjalmar spends his days working on a wholly imaginary "invention", his wife is earning the household income.
Ibsen displays masterful use of irony: despite his dogmatic insistence on truth, Gregers never says what he thinks but only insinuates, and is never understood until the play reaches its climax. Gregers hammers away at Hjalmar through innuendo and coded phrases until he realizes the truth; Gina's daughter, Hedvig, is not his child. Blinded by Gregers' insistence on absolute truth, he disavows the child. Seeing the damage he has wrought, Gregers determines to repair things, and suggests to Hedvig that she sacrifice the wild duck, her wounded pet, to prove her love for Hjalmar. Hedvig, alone among the characters, recognizes that Gregers always speaks in code, and looking for the deeper meaning in the first important statement Gregers makes which does not contain one, kills herself rather than the duck in order to prove her love for him in the ultimate act of self-sacrifice. Only too late do Hjalmar and Gregers realize that the absolute truth of the "ideal" is sometimes too much for the human heart to bear.
View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribe
This is a Librivox Recording. All Librivox recordings are in the public domain.
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5535357/advertisement
Ibsen displays masterful use of irony: despite his dogmatic insistence on truth, Gregers never says what he thinks but only insinuates, and is never understood until the play reaches its climax. Gregers hammers away at Hjalmar through innuendo and coded phrases until he realizes the truth; Gina's daughter, Hedvig, is not his child. Blinded by Gregers' insistence on absolute truth, he disavows the child. Seeing the damage he has wrought, Gregers determines to repair things, and suggests to Hedvig that she sacrifice the wild duck, her wounded pet, to prove her love for Hjalmar. Hedvig, alone among the characters, recognizes that Gregers always speaks in code, and looking for the deeper meaning in the first important statement Gregers makes which does not contain one, kills herself rather than the duck in order to prove her love for him in the ultimate act of self-sacrifice. Only too late do Hjalmar and Gregers realize that the absolute truth of the "ideal" is sometimes too much for the human heart to bear.
View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribe
This is a Librivox Recording. All Librivox recordings are in the public domain.
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5535357/advertisement
public domain