The Study of Human Life
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The Study of Human Life
Letto da:
Joshua Bennett
Acquista ora a 16,95 €
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Letto da:
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Joshua Bennett
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Di:
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Joshua Bennett
A proposito di questo titolo
An acclaimed poet further extends his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood
Featuring the novella “The Book of Mycah,” soon to be adapted by Lena Waithe’s Hillman Grad Productions & Warner Bros. TV
Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
Recensioni della critica
Praise for The Study of Human Life:
“A tender celebration of vulnerability and the strength that blooms quietly in its presence.” —The Atlantic, “Ten Poetry Collections to Read Again and Again”
“With a singularly expansive and compassionate view of history, Bennett sweeps across generations of joy, suffering, and connection.” —Lit Hub
“A unique and nuanced window into the effects of generational trauma and state-sanctioned violence, as well as powerful insistence that trauma cannot and will not be the defining characteristic of future generations . . . The Study of Human Life is every bit as layered and complex as readers might expect from Bennett, who has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world.” —The Poetry Question
“[Features] a multifaceted prose-poem of striking depth and originality . . . Though Bennett’s poems seem effortless in their lyric grace and organic progressions, they are better described as effortful, given memorable presence by their intimacy, mindful craft, and visionary pursuit. Expect this work to appear on many 'best poetry' lists for 2022.” —Library Journal (starred review)
Praise for Bennett's previous collection, Owed:
“Themes of praise and debt pervade this rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S. . . . Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic, and boldly stakes claim to ‘some living, future / English, & everyone in it / is immortal.’” —The New Yorker
“Bennett captures the beauty of what really matters in life—the memories, youth sports, family traditions and little moments that many of us take for granted . . . [Owed] couldn't have been more timely.” —Salon
“Not only are these poems eloquent but also lyrical, intelligent, and, occasionally, funny. Most reflect upon and communicate the pain, joy, and intensity of the current Black experience . . . In a time when many confront and protest the racism prevalent in our society, Bennett’s new book is vital.” —Library Journal (starred review)
“[Owed] intertwines the author’s multifaceted professions as poet, performer, and professor through powerful, crisp poems that celebrate the complexity, joy, and heartbreak of the Black experience in America . . . Bennett’s poems are more necessary than ever.” —Publishers Weekly (starred review)
“A tender celebration of vulnerability and the strength that blooms quietly in its presence.” —The Atlantic, “Ten Poetry Collections to Read Again and Again”
“With a singularly expansive and compassionate view of history, Bennett sweeps across generations of joy, suffering, and connection.” —Lit Hub
“A unique and nuanced window into the effects of generational trauma and state-sanctioned violence, as well as powerful insistence that trauma cannot and will not be the defining characteristic of future generations . . . The Study of Human Life is every bit as layered and complex as readers might expect from Bennett, who has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world.” —The Poetry Question
“[Features] a multifaceted prose-poem of striking depth and originality . . . Though Bennett’s poems seem effortless in their lyric grace and organic progressions, they are better described as effortful, given memorable presence by their intimacy, mindful craft, and visionary pursuit. Expect this work to appear on many 'best poetry' lists for 2022.” —Library Journal (starred review)
Praise for Bennett's previous collection, Owed:
“Themes of praise and debt pervade this rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S. . . . Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic, and boldly stakes claim to ‘some living, future / English, & everyone in it / is immortal.’” —The New Yorker
“Bennett captures the beauty of what really matters in life—the memories, youth sports, family traditions and little moments that many of us take for granted . . . [Owed] couldn't have been more timely.” —Salon
“Not only are these poems eloquent but also lyrical, intelligent, and, occasionally, funny. Most reflect upon and communicate the pain, joy, and intensity of the current Black experience . . . In a time when many confront and protest the racism prevalent in our society, Bennett’s new book is vital.” —Library Journal (starred review)
“[Owed] intertwines the author’s multifaceted professions as poet, performer, and professor through powerful, crisp poems that celebrate the complexity, joy, and heartbreak of the Black experience in America . . . Bennett’s poems are more necessary than ever.” —Publishers Weekly (starred review)
Ancora nessuna recensione