The Religion copertina

The Religion

A Novel

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The Religion

Di: Tim Willocks
Letto da: Simon Vance
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A proposito di questo titolo

May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the Knights' Christian stronghold on the island of Malta. The Turks know the Knights as the "The Hounds of Hell." The Knights call themselves "The Religion."

In Messina, Sicily, a French countess, Carla la Penautier, seeks a passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amidst the most spectacular siege in military history, they must try to find the boy— whose name they do not know and whose face they have never seen—and pluck him from the jaws of Holy War.

The Religion is Book One of The Tannhauser Triology, and from the start of epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged listeners headlong into another place and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

©2006 Tim Willocks; (P)2006 Audio Renaissance, a division of Holtzbrinck Publishers LLC
Azione e avventura Narrativa storica

Recensioni della critica

“The ideal man to do justice to the conflict...gripping...a classic of its kind.” —The Mail on Sunday

"A novel of high adventure, blood, guts and romantic love...as master craftsman, [Willocks] tells his story with extraordinary pace.” —Literary Review

“An epic in which we can see the seeds of our all our modern woes.” —The Times (of London)

Ancora nessuna recensione