The Murder Room
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
13,96 € per i primi 30 giorni
Offerta a tempo limitato
Attiva il tuo abbonamento Audible a 0,99 €/mese per 3 mesi per ottenere questo titolo a un prezzo esclusivo riservato agli iscritti.
Offerta valida fino alle 23.59 del 29 gennaio 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmio di più del 90% nei primi 3 mesi.
Ascolto illimitato della nostra selezione in continua crescita di migliaia di audiolibri, podcast e Audible Original.
Nessun impegno. Puoi cancellare ogni mese.
Disponibile su ogni dispositivo, anche senza connessione.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Acquista ora a 19,95 €
-
Letto da:
-
Charles Keating
-
Di:
-
P. D. James
A proposito di questo titolo
The case is fraught with danger and complications from the outset, but for Dalgliesh the complications are unexpectedly profound. His new relationship with Emma Lavenham—introduced in the last Dalgliesh novel, Death in Holy Orders—is at a critical stage. Now, as he moves closer and closer to a solution to the puzzle, he finds himself driven further and further from commitment to the woman he loves.©2003 P.D. James; (P) 2003 Random House, Inc., Random House Audio, A Division Of Random House, Inc.
Recensioni della critica
“[A] superbly realized setting. . . . The plot unfolds at its Jamesian leisure; the rich, almost posh quality of its slow unveiling allows for sharp sketches of character and place. . . . [James] ought never to be confused with such practitioners of the murder-in-the-vicarage genre as Agatha Christie. She is subtler, more sophisticated, much more adept at creating character, and her social conservatism gives her a much darker view of human nature.”
—Martin Levin, The Globe and Mail
“The premise is delicious.”
—Telegraph (UK)
“The Murder Room is a brilliantly crafted novel, brimming with detail and rich in suspense; a further testament to James’s skills in both.”
—Waterstone’s Books Quarterly (UK)
“If crime fiction were classical music, P. D. James’s books would be filed under Grand Opera. In a sense, James is the last of the great Golden Age crime writers. She has an instinctive grasp of narrative: despite the leisurely prose, the shocks are beautifully handled. The plot purrs along like a well-designed and well-maintained engine. James writes with rare authority about the civil service, the police and the justice system. She also does an exceptionally good corpse—she never cheapens the physical appearance of death, but describes it with both respect and clinical attention to detail.”
—The Independent (UK)
“James’s eye for architecture and nature is rare in most genres of the novel now, and this skill for physical description—along with her psychological acuity.”
—The Guardian (UK)
—Martin Levin, The Globe and Mail
“The premise is delicious.”
—Telegraph (UK)
“The Murder Room is a brilliantly crafted novel, brimming with detail and rich in suspense; a further testament to James’s skills in both.”
—Waterstone’s Books Quarterly (UK)
“If crime fiction were classical music, P. D. James’s books would be filed under Grand Opera. In a sense, James is the last of the great Golden Age crime writers. She has an instinctive grasp of narrative: despite the leisurely prose, the shocks are beautifully handled. The plot purrs along like a well-designed and well-maintained engine. James writes with rare authority about the civil service, the police and the justice system. She also does an exceptionally good corpse—she never cheapens the physical appearance of death, but describes it with both respect and clinical attention to detail.”
—The Independent (UK)
“James’s eye for architecture and nature is rare in most genres of the novel now, and this skill for physical description—along with her psychological acuity.”
—The Guardian (UK)
Ancora nessuna recensione