The Love Object
Selected Stories
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
13,99 € per i primi 30 giorni
Offerte di stagione
0,99 €/mese per i primi 3 mesi
L'offerta termina il 28 dicembre 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmia più del 90% nei primi 3 mesi.
Ascolta quanto vuoi, scegliendo tra migliaia di audiolibri e serie originali inclusi.
Scarica il tuo audiolibro e ascolta offline, senza interruzioni
Rinnovo automatico a 9,99 €/mese dopo 3 mesi. Disdici mensilmente. L'offerta termina il 28 dicembre 2026.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Acquista ora a 20,05 €
-
Letto da:
-
Catherine McGoohan
As John Banville writes in his introduction to The Love Object, Edna O'Brien "is, simply, one of the finest writers of our time." The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without.
Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover.
The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings" -- "a masterpiece of compression, distilling the pain of a lost, exiled generation" (Sunday Times) -- and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins.
In 2011, Edna O'Brien's gifts were acknowledged with the most prestigious international award for the story, the Frank O'Connor Short Story Award. The Love Object illustrates a career's worth of shimmering, potent prose from a writer of great courage, vision, and heart.
"The most striking aspect of Edna O'Brien's short stories, aside from the consistent mastery with which they are executed, is their diversity."-John Banville
adbl_web_anon_alc_button_suppression_t1
Recensioni della critica
Praise for Edna O'Brien
"Edna O'Brien writes the most beautiful, aching stories of any writer, anywhere."—Alice Munro
"One great virtue of Edna O'Brien's writing is the sensation it gives of a world made new by language."—Seamus Heaney
"The sensibility is on two levels and shuttles back and forth, combining the innocence of childhood with the scars of maturity."—Philip Roth
"There is no living Irish writer who compares in terms of style, stamina, depth, or meaning."—Colum McCann
Praise for THE LOVE OBJECT
"When a writer as gifted as O'Brien memorializes a vanishing world, we experience not only the 'lost landscape' but the richly ambivalent emotions it has evoked."—Joyce Carol Oates, Times Literary Supplement
"Every one of the stories included is a shining example of a master at work."—Lucy Scholes, Observer
As well as being an intensely enjoyable book, it is a very important publication in the history of Irish literature: the selected stories of one of the major writers of our era."—Eilis Ni Dhuibhne, Irish Times
Ancora nessuna recensione