The Lost Veda Sri Brama Samhita copertina

The Lost Veda Sri Brama Samhita

Lord Brama's Prayers to Govindaji

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The Lost Veda Sri Brama Samhita

Di: Sripad Jagannatha Das
Letto da: Sripad Jagannatha Das
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A proposito di questo titolo

Lord Brahma saw Krsna directly and composed a prayer based on his realizations–a striking prayer by one who has seen the truth.

Krsna revealed himself to Brama, along with his spiritual planets. Overwhelmed by this transcendental revelation, Brama spoke these words glorifying Krsna. Brama’s awe and love permeate the text and reveal the workings of the cosmic creation.

The Brama Samhita teaches that transcendence, truth, and ultimate reality can be apprehended only by the mercy of the supreme transcendent entity, the Absolute Truth Himself, and that perception of ultimate reality is a function not of speculative reason but of direct spiritual cognition through divine revelation. This collection is taken from the fifth chapter of the Hymns of Brama, and includes verses 1 to 29. There were 100 chapters in the Brama Samhita. This 5th chapter of the Brama Samhita was discovered by Lord Chaitanya. The other chapters have not yet been revealed.

The Brama-samhita clearly describes Brahman. Kṛṣṇa is the Supreme Brahman because of His unlimited knowledge, unlimited potencies, unlimited strength, unlimited influence, unlimited beauty, and unlimited renunciation. Ultimately, therefore, the word Brahman can be applied to Kṛṣṇa only.

Because the impersonal Brahman is the effulgence emanating as rays of Kṛṣṇa’s transcendental body, Kṛṣṇa is the Parabrahman. Everything rests on Brahman, but Brahman rests upon Kṛṣṇa. The material elements are accepted as the inferior energy of Kṛṣṇa. By their interaction, the cosmic manifestation takes place, rests on Kṛṣṇa, and after dissolution again enters into the body of Kṛṣṇa as His subtle energy. Kṛṣṇa is therefore the cause of both manifestation and dissolution.

Translator and commentator Bhaktisiddhanta Sarasvati was a Gaudīya Vaisnava Hindu guru, ācārya, and revivalist in early 20th century India.

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