The Faerie Handmaid
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
12,09 € per i primi 30 giorni
Offerte di stagione
0,99 €/mese per i primi 3 mesi
L'offerta termina il 28 dicembre 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmia più del 90% nei primi 3 mesi.
Ascolta quanto vuoi, scegliendo tra migliaia di audiolibri e serie originali inclusi.
Scarica il tuo audiolibro e ascolta offline, senza interruzioni
Rinnovo automatico a 9,99 €/mese dopo 3 mesi. Disdici mensilmente. L'offerta termina il 28 dicembre 2026.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Acquista ora a 17,28 €
-
Letto da:
-
Ana Clements
-
Di:
-
Louisa Morgan
When Braithe was left as an acolyte on the Isle of Apples, she never dreamed she'd become handmaid to Morgana, the most powerful priestess in all of Camelud, but now she is content to live out her days in service to the Priestess. But when a powerful mage comes to Morgana and Braithe with concerns that the new king of Camelud is being cursed by powerful magic, the two must journey to the White City deep in fae country to investigate.
The magical city is nothing like Braithe imagined and the fae are cold and callous toward humans and quick to bewitch. Despite the constant threat of danger, Braithe just may be the key to discovering who is cursing the king, but to do so she will have to step into her own power.
adbl_web_anon_alc_button_suppression_t1
Recensioni della critica
Praise for The Faerie Morgana
"This is Arthurian retelling at its best: a world you can get lost in, a story you’ll want to return to, and a Morgan le Fay so real she seems as if she truly could’ve walked this earth.” ―Mary McMyne, author of A Rose by Any Other Name
“A gripping story brimming with magic, The Faerie Morgana is a brilliant new addition to the canon of Arthurian tales." ―Megan Barnard, author of The Winter Goddess
"Louisa Morgan weaves the myth and magic of Arthuriana into a sparkling new story full of intrigue, enchantment, and the strong threads of women's voices. The Faerie Morgana is mythic reimagining at its best!" ―Rowenna Miller, author of The Palace of Illusions
"Morgan’s take is refreshing as she portrays a powerful Morgana with a sympathetic dimensionality missing from the original mythology... An enchanting tragedy centered around castle politics and the sacrifices demanded of women in the course of duty. Fans of Circe or Medusa retellings should take note." ―Library Journal
"This is Arthurian retelling at its best: a world you can get lost in, a story you’ll want to return to, and a Morgan le Fay so real she seems as if she truly could’ve walked this earth.” ―Mary McMyne, author of A Rose by Any Other Name
“A gripping story brimming with magic, The Faerie Morgana is a brilliant new addition to the canon of Arthurian tales." ―Megan Barnard, author of The Winter Goddess
"Louisa Morgan weaves the myth and magic of Arthuriana into a sparkling new story full of intrigue, enchantment, and the strong threads of women's voices. The Faerie Morgana is mythic reimagining at its best!" ―Rowenna Miller, author of The Palace of Illusions
"Morgan’s take is refreshing as she portrays a powerful Morgana with a sympathetic dimensionality missing from the original mythology... An enchanting tragedy centered around castle politics and the sacrifices demanded of women in the course of duty. Fans of Circe or Medusa retellings should take note." ―Library Journal
Ancora nessuna recensione