The Eternal Audience of One
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The Eternal Audience of One
Letto da:
Michael Boatman
Acquista ora a 13,03 €
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Letto da:
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Michael Boatman
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Di:
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Rémy Ngamije
A proposito di questo titolo
Nobody ever makes it to the start of a story, not even the people in it. The most one can do is make some sort of start and then work toward some kind of ending.
One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.
But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived in this “hilarious and heartbreaking” (Adam Smyer, author of Knucklehead) intersection of pre- and post-1994 Rwanda, colonial and post-independence Windhoek, Paris and Brussels in the 1970s, Nairobi public schools, and the racially charged streets of Cape Town.
“Visually striking and beautiful told with youthful energy and hard-won wisdom” (Rabeah Ghaffari, author of To Keep the Sun Alive), The Eternal Audience of One is a lyrical and piquant tale of family, migration, friendship, war, identity, and race that will sweep you off your feet.
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Recensioni della critica
"Michael Boatman is a powerful force in his capable performance of this audiobook. In a confident, agile voice, he carries listeners through the story of Séraphin, a Rwandan college student standing on the brink of adulthood. No matter what an accent or a vocal nuance might demand, Boatman is up to the challenge, diving into dialogue with special aplomb. As Séraphin prepares for life as a law student in South Africa, Boatman narrates each experience with care and emotion."
Ancora nessuna recensione