Shakespeare Was a Woman and Other Heresies
How Doubting the Bard Became the Biggest Taboo in Literature
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
14,66 € per i primi 30 giorni
Offerta a tempo limitato
Attiva il tuo abbonamento Audible a 0,99 €/mese per 3 mesi per ottenere questo titolo a un prezzo esclusivo riservato agli iscritti.
Offerta valida fino alle 23.59 del 29 gennaio 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmio di più del 90% nei primi 3 mesi.
Ascolto illimitato della nostra selezione in continua crescita di migliaia di audiolibri, podcast e Audible Original.
Nessun impegno. Puoi cancellare ogni mese.
Disponibile su ogni dispositivo, anche senza connessione.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Acquista ora a 20,95 €
-
Letto da:
-
Eunice Wong
A proposito di questo titolo
The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.”
In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers—from Walt Whitman to Sigmund Freud to Supreme Court justices—who have grappled with the riddle of the plays’ origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare’s plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem.
As she interviews scholars and skeptics, Winkler’s interest turns to the larger problem of historical truth—and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we’re looking for.
“Lively” (The Washington Post), “fascinating” (Amanda Foreman), and “intrepid” (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare…and of how we as a society decide what’s up for debate and what’s just nonsense, just heresy.
Recensioni della critica
“An extraordinarily brilliant and scholarly work, written with an unyielding sleuthing instinct and sparkling with pleasurably naughty moments. This page-turner is mesmerizing.”
—André Aciman, PhD, New York Times bestselling author of Call Me by Your Name
—André Aciman, PhD, New York Times bestselling author of Call Me by Your Name
“A fascinating detective story… whose irreverence is part of its appeal.”
—The Guardian
—The Guardian
“Elizabeth Winkler is blessed with the clear-eyed wit of a heroine in a Shakespearean comedy. Her undoing of the fools in the forest of the authorship question is iconoclasm As You Like It—joy to behold, lesson for us all.”
—Lewis Lapham, founder of Lapham’s Quarterly
—Lewis Lapham, founder of Lapham’s Quarterly
“As a literary-investigative reporter, Elizabeth Winkler… pursues her quarry with tenacity and grips it like a dog with a bone.”
—The Wall Street Journal
—The Wall Street Journal
“Lively…. Winkler is a crackerjack researcher, deftly laying out the myriad questions, arguments and mysteries swirling around Shakespeare.”
—Michael Dirda, The Washington Post
—Michael Dirda, The Washington Post
“Elizabeth Winkler’s Shakespeare Was a Woman and Other Heresies is one of the most engaging, riveting, scholarly, and challenging whodunits anyone with an interest in theater, human psychology, literature, and history can hope to read. Following in the footsteps of Henry James, Mark Twain, Mark Rylance, and innumerable other skeptics, Winkler writes about what has been essentially a centuries old theological dispute about the origins of Shakespeare’s astounding body of work like a Shakespearean drama itself: full of complex characters with false reputations and deceptive appearances.”
—Bessel van der Kolk, MD, New York Times bestselling author of The Body Keeps Score
—Bessel van der Kolk, MD, New York Times bestselling author of The Body Keeps Score
“No, Elizabeth Winkler doesn’t reveal the true identity of the writer Ruth Bader Ginsburg termed “the literary genius known by the name William Shakespeare.” But she does explain how we’ve wound up with, among an army of others, a republican Shakespeare and a monarchist Shakespeare, a Shakespeare who hated his wife and one who loved his, a Shakespeare who wrote all the plays and a Shakespeare who could not write at all. Along her intrepid way, Winkler charts, with refreshing clarity, the much-contested ground underfoot, studded with flinty convictions, gnarled fictions, and a surprising number of land mines.”
—Stacy Schiff, Pulitzer Prize-winning author of The Revolutionary
—Stacy Schiff, Pulitzer Prize-winning author of The Revolutionary
“Fascinating and often delightful…. Shakespeare Was a Woman may represent something of an “emperor’s-no-clothes” moment for academia.”
—Winnipeg Free Press
—Winnipeg Free Press
Ancora nessuna recensione