Queen Esther copertina

Queen Esther

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Queen Esther

Di: John Irving
Letto da: Ari Fliakos
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A proposito di questo titolo

 After forty years, John Irving returns to the world of his bestselling classic novel and Academy Award–winning film, The Cider House Rules, revisiting the orphanage in St. Cloud’s, Maine, where Dr. Wilbur Larch takes in Esther—a Viennese-born Jew whose life is shaped by anti-Semitism.

Esther Nacht is born in Vienna in 1905. Her father dies on board the ship to Portland, Maine; her mother is murdered by anti-Semites in Portland. Dr. Larch knows it won’t be easy to find a Jewish family to adopt Esther; in fact, he won’t find any family who’ll adopt her.

When Esther is fourteen, soon to be a ward of the state, Dr. Larch meets the Winslows, a philanthropic New England family with a history of providing foster care for unadopted orphans. The Winslows aren’t Jewish, but they despise anti-Semitism. Esther’s gratitude for the Winslows is unending; even as she retraces her roots back to Vienna, she never stops loving and protecting the Winslows. In the final chapter, set in Jerusalem in 1981, Esther Nacht is seventy-six.

John Irving’s sixteenth novel is a testament to his enduring ability to weave complex characters and intricate narratives that challenge and captivate. Queen Esther is not just a story of survival but a profound exploration of identity, belonging, and the enduring impact of history on our personal lives showcasing why Irving remains one of the world’s most beloved, provocative, and entertaining authors—a storyteller of our time and for all time. Letteratura mondiale Narrativa di genere Narrativa letteraria Politica

Recensioni della critica

"Narrator Ari Fliakos brings a compassionate tone and exquisite pacing to Irving’s sequel to THE CIDER HOUSE RULES—40 years in the making. Complicated, quirky, and enigmatic characters highlight this exploration of anti-Semitism and how Esther Nacht, a Viennese-born Jewish orphan, ends up at an orphanage in St. Cloud’s, Maine, where Dr. Wilbur Larch takes her in. Fliakos portrays Esther with a tinge of melancholy and world-weariness as she ages out of the orphanage and is then taken in by the Winslows, a wealthy family strongly opposed to anti-Semitism. Irving delivers this exploration of identity and belonging in a story that mirrors the creation of the State of Israel. Fliakos’s dexterous vocalizations of the men and women in Esther’s life create a compelling and entertaining world."
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