Playhouse
A novel
Impossibile aggiungere al carrello
Puoi avere soltanto 50 titoli nel carrello per il checkout.
Riprova più tardi
Riprova più tardi
Rimozione dalla Lista desideri non riuscita.
Riprova più tardi
Non è stato possibile aggiungere il titolo alla Libreria
Per favore riprova
Non è stato possibile seguire il Podcast
Per favore riprova
Esecuzione del comando Non seguire più non riuscita
14,66 € per i primi 30 giorni
Offerta a tempo limitato
Attiva il tuo abbonamento Audible a 0,99 €/mese per 3 mesi per ottenere questo titolo a un prezzo esclusivo riservato agli iscritti.
Offerta valida fino alle 23.59 del 29 gennaio 2026.
Dopo 30 giorni (60 per i membri Prime), 9,99 €/mese. Puoi cancellare ogni mese
Risparmio di più del 90% nei primi 3 mesi.
Ascolto illimitato della nostra selezione in continua crescita di migliaia di audiolibri, podcast e Audible Original.
Nessun impegno. Puoi cancellare ogni mese.
Disponibile su ogni dispositivo, anche senza connessione.
Dopo esserti registrato per un abbonamento, puoi acquistare questo e tutti gli altri audiolibri nel nostro catalogo esteso, ad un prezzo scontato del 30%
Ottieni accesso illimitato a una raccolta di oltre migliaia di audiolibri e podcast originali.
Nessun impegno. Cancella in qualsiasi momento e conserva tutti i titoli acquistati.
Playhouse
Letto da:
Lee Osorio
Acquista ora a 20,95 €
-
Letto da:
-
Lee Osorio
-
Di:
-
Richard Bausch
A proposito di questo titolo
As renovations begin at the Shakespeare Theater of Memphis, life for the core members of the company seems to be falling into disarray. Their trusted director has just retired, and theater manager Thaddeus Deerforth—staring down forty and sensing a rift growing slowly between himself and his wife, Gina—dreads the arrival of an imperious, inscrutable visiting director. Claudette, struggling to make ends meet as an actor and destabilized by family troubles, is getting frequent calls from her ex-boyfriend—and also the narcissistic, lecherous television actor who has been recruited to play King Lear in their fall production.
Also invited to the cast is Malcolm Ruark, a disgraced TV anchor muddling through the fallout of a scandal involving his underaged niece—and suddenly in an even more precarious situation when the same niece, now eighteen, is cast to play Cordelia. As tensions onstage and off build toward a breaking point, the bonds among the intimately drawn characters are put to extraordinary tests—and the fate of the theater itself may even be on the line.
Deftly weaving together the points of view of Thaddeus, Claudette, and Malcolm, and utterly original in its incorporation of Shakespeare’s timeless drama, Playhouse is an unforgettable story of men and women, human frailty, art, and redemption—a work of inimitable imaginative prowess by one of our most renowned storytellers.
Cover images: The Storm (detail) by Georges Michel. The Art Institute of Chicago; (theater seats) Paleha/Getty Images
Recensioni della critica
“Transporting and true . . . Chock-full of events both large and small, and issues both timely and timeless . . . Bausch holds us most rapt when he directs our attention to the vexingly wobbly line between authenticity and art.” —The New York Times Book Review
“A masterful, lyrical satire . . . In many ways, Playhouse is a send-up of culture-making itself . . . Playhouse showcases both poetic description and double-edged dialogue. Any given paragraph can provoke a sigh, then a snort . . . This is domestic tension at its finest.” —Chapter16
“[Bausch is] an expert of dialogue . . . Often the discussions touch meaningfully upon King Lear, particularly those involving the actress who has removed her ailing father from a care facility against her stepmother’s wishes.”—The Wall Street Journal
“A masterful, lyrical satire . . . In many ways, Playhouse is a send-up of culture-making itself . . . Playhouse showcases both poetic description and double-edged dialogue. Any given paragraph can provoke a sigh, then a snort . . . This is domestic tension at its finest.” —Chapter16
“[Bausch is] an expert of dialogue . . . Often the discussions touch meaningfully upon King Lear, particularly those involving the actress who has removed her ailing father from a care facility against her stepmother’s wishes.”—The Wall Street Journal
Ancora nessuna recensione