Oxblood
Winner of the Sunday Times Charlotte Aitken Young Writer of the Year Award
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Oxblood
Letto da:
Chloe Massey
Acquista ora a 11,75 €
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Letto da:
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Chloe Massey
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Di:
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Tom Benn
**Winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award**
**Longlisted for the Gordon Burn Prize 2022**
‘Oxblood shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough’ FRANCIS SPUFFORD
'The master of northern noir' SUNDAY TIMES
'Brilliant' DENISE MINA
'An absolute triumph' GUARDIAN
'Powerful and so beautifully written' HARRIET TYCE
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Wythenshawe, South Manchester. 1985. The Dodds family once ruled Manchester’s underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby and the ghost of a murdered lover.
Over the course of a few days, Nedra, Carol and Jan must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good.
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‘If I read a better novel than Oxblood in 2022, it’ll be a blinding year for fiction’ JOSEPH KNOX
'A propulsive, bountiful, fearless work of art' OYINKAN BRAITHWAITE
'One of the most powerful and urgent writers of our times' DAVID PEACE©2022 Tom Benn (P)2022 Bloomsbury Publishing PLC
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Recensioni della critica
With a brutal yet compassionate honesty, Oxblood confronts the past as it was and how it shapes who we are now, and confirms Tom Benn as one of the most powerful and urgent writers of our times (DAVID PEACE, author of THE RED RIDING QUARTET)
The master of northern noir
A rich archive of bygone badness
An astonishing piece of work. Captures the stories of three women from an underworld family with ferocious honesty and compassion. Audacious writing - visceral, rich and intense. Unforgettable characters haunted by violence and grief. Exceptional (CATH STAINCLIFFE)
Oxblood shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough (FRANCIS SPUFFORD)
Powerful stuff and so beautifully written - like David Peace wrote Alan Warner’s The Sopranos and so lyrical, too. You don’t care where it’s heading, you’re just happy to step into the flow and let it take you. Brilliant stuff - this is really very good indeed (HARRIET TYCE)
Tom Benn is one of publishing’s best kept secrets. His story about the struggles of three generations of women in a Manchester crime clan has been rendered with such care and specificity that it feels wholly original. The result is a rich, dark, atmospheric family saga that contains so much buried love and anger and grief and sexual jealousy and bitter disappointment … I emerged from it exhilarated (JOHANNA THOMAS-CORR)
If I read a better novel than Oxblood in 2022, it’ll be a blinding year for fiction. Tom Benn, please take a bow. Everybody else, please take note (JOSEPH KNOX)
Reading Oxblood is a compelling and deeply unsettling experience; this is a novel that glitters with the dark energy and lifeblood of its characters (NAOMI BOOTH)
A propulsive, bountiful, fearless work of art (OYINKAN BRAITHWAITE)
What a voice Tom Benn has got, what a feel for character and place, and what an uncompromising approach he has to his subject and material. He’s gritty but totally empathetic, and inhabits his milieu of 1980s Manchester with total conviction and no attempt to soften the voices of his characters (ANDREW HOLGATE)
A remarkable galvanization of a time and a place, its style and substance so rooted in one another it is impossible to imagine it being written by anyone else. A story that seeps into you, sentences turned to catch the light like night eyes. A living thing (DOMINIC NOLAN, author of Vine Street)
One of those rare books where place and time are conjured so effortlessly, the cast of characters drawn with so much ease and grace (MONA ARSHI)
More than anything, I was enamored with Benn's audacity: to tell this raw, violent, compassionate story; to use language in such a thrilling and fresh way; to explore the dark hearts of ordinary people, and to not look way when things get messy; to be, basically, this good (D W WILSON)
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