Little Green copertina

Little Green

An Easy Rawlins Mystery

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Little Green

Di: Walter Mosley
Letto da: Michael Boatman
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When Walter Mosley burst onto the literary scene in 1990 with his first Easy Rawlins mystery, Devil in a Blue Dress—a combustible mixture of Raymond Chandler and Richard Wright—he captured the attention of hundreds of thousands of readers (including future president Bill Clinton). Eleven books later, Easy Rawlins is one of the few private eyes in contemporary crime fiction who can be called iconic and immortal. In the incendiary and fast-paced Little Green, he returns from the brink of death to investigate the dark side of L.A.’s 1960s hippie haven, the Sunset Strip.

We last saw Easy in 2007’s Blonde Faith, fighting for his life after his car plunges over a cliff. True to form, the tough WWII veteran survives, and soon his murderous sidekick Mouse has him back cruising the mean streets of L.A., in all their psychedelic 1967 glory, to look for a young black man, Evander “Little Green” Noon, who disappeared during an acid trip. Fueled by an elixir called Gator’s Blood, brewed by the conjure woman Mama Jo, Easy experiences a physical, spiritual, and emotional resurrection, but peace and love soon give way to murder and mayhem. Written with Mosley’s signature grit and panache, this engrossing and atmospheric mystery is not only a trip back in time, it is also a tough-minded exploration of good and evil, and of the power of guilt and redemption. Once again, Easy asserts his reign over the City of (Fallen) Angels.
Afroamericani Hard boiled Narrativa di crimini Poliziesco
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Recensioni della critica

Advance Praise for LITTLE GREEN:

“In 2007’s Blonde Faith, set in 1967, Easy Rawlins drove drunkenly off a cliff in what his creator indicated was likely his last appearance. Now, after two months of sliding in and out of consciousness, Easy begins the long journey back to the living, in Mosley’s superb 12th mystery featuring his iconic sleuth…. If there were an Edgar for best comeback player, Easy Rawlins would be a shoo-in.”
Publishers Weekly (starred)

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