Huckleberry Jim
A Novel
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Huckleberry Jim
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Letto da:
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Leon Nixon
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Adam Nelson
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Di:
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Adam Nelson
A Publishers Weekly Editor’s Pick
A darkly funny 1991 road novel about two actors touring a stripped-down Huckleberry Finn through a hostile America—perfect for listeners of Paul Beatty’s The Sellout and Percival Everett’s James.
Axel Emerson isn’t chasing a dream—he’s running from a body. After the sudden death of his estranged father, and the detective’s calls that follow, a washed-up casting agent offers him an exit: tour the schools as Huck Finn in a stripped-down, two-man stage version of the American classic. It’s 1991, and the country is cracking open.
His co-star is Moses Morton, a fifty-five-year-old Black actor cast as Jim—and from the first moment, Moses sees straight through him. Their road trip through hostile American towns becomes a crash course in race, history, and performative ignorance, recited from lines a white man wrote in 1884 about a country that hasn’t changed as much as it thinks. When performance and reality finally collide, there’s no script left to hide behind.
©2026 Adam Nelson (P)2026 Blackstone PublishingRecensioni della critica
“At the story’s core is an interesting and convincing relationship. Nelson is adept at character development: Axel in particular, but also Moses, whose outward personality belies an inner nuance. And his prose is capable: ‘She had entered his life the way lightning enters a tree—sudden, burning, reshaping everything it touched.’… At its best it’s a revealing evolution of an improbable relationship.”
(Blue Ink Review)“Adam Nelson’s incisive, provocative, and robustly American debut… honors the fathoms-deep American divisions that Twain marked and urges us to look closer rather than away.”
(Booklife Reviews, Publishers Weekly (Editor’s Pick))“Entertaining and grounding.”
(Clarion Reviews)“Adam Nelson’s incisive, provocative, and robustly American debut…honors the fathoms-deep American divisions that Twain marked and urges us to look closer rather than away. For readers of Percival Everett’s James and Paul Beatty’s The Sellout.”
(Publishers Weekly (editor’s pick))