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How to Pronounce Knife

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How to Pronounce Knife

Di: Souvankham Thammavongsa
Letto da: James Tang, Kulap Vilaysack
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A proposito di questo titolo

 Named one of the New York Times' "7 New Books to Watch Out for in April," this revelatory story collection honors characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world." In the title story of Souvankham Thammavongsa's debut collection, a young girl brings a book home from school and asks her father to help her pronounce a tricky word, a simple exchange with unforgettable consequences. Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language. The stories that make up How to Pronounce Knife focus on characters struggling to build lives in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting. In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.

Winner of the 2020 Scotiabank Giller Prize

“As the daughter of refugees, I’m able to finally see myself in stories.” —Angela So, Electric Literature Antologie e racconti brevi Letteratura mondiale Narrativa di genere Narrativa letteraria Narrativa storica Stati Uniti

Recensioni della critica

"An impressive debut...Thammavongsa's spare, rigorous stories are preoccupied with themes of alienation and dislocation, her characters burdened by the sense of existing unseen... Her gift for the gently absurd means the stories never feel dour or predictable, even when their outcomes are by some measure bleak...It is when the characters' sense of alienation follows them home, into the private space of the family, that Thammavongsa's stories most wrench the heart."—NEW YORK TIMES BOOK REVIEW
**Named one of the most anticipated books of 2020 by Electric Literature, The Millions, and Ms. Magazine**
**Named one of the most anticipated books of the month by the New York Times, O. The Oprah Magazine, Vogue, Bustle, and Salon**
"These poignant and deceptively quiet stories are powerhouses of feeling and depth; How to Pronounce Knife is an artful blend of simplicity and sophistication."—MARY GAITSKILL, author of VERONICA and SOMEBODY WITH A LITTLE HAMMER
"In sparse prose braced with disarming humor, Thammavongsa offers glimpses into the daily lives of immigrants and refugees in a nameless city, illuminating the desires, disappointments, and triumphs of those who so often go unseen...Though short enough to read in one sitting, [these stories] feel vast in their scope, offering ample room to wander."—THE PARIS REVIEW
"I love these stories. There's some fierce and steady activity in all of the sentences-something that makes them live, and makes them shift a little in meaning when you look at them again and they look back at you (or look beyond you)."
—HELEN OYEYEMI, authorof WHAT IS NOT YOURS IS NOT YOURS and GINGERBREAD
"In Thammavongsa's work, refugees don't have to be just tragic or sad but can be imbued with humor, complexity, and the unexpected. Most importantly, Thammavongsa doesn't write for a white audience. She writes, tenderly and profoundly, for her characters. Her love is apparent in her delicate descriptions: confident children protect their parents, workers perform jobs with care and pride, and messy love stories show us that leaving is proof we are alive. The power of How to Pronounce Knife lies in seeing the unseen. I know that firsthand--as the daughter of refugees, I'm able to finally see myself in stories."—ANGELA SO, ELECTRIC LITERATURE
"Fourteen piercing sketches illuminate the workaday routines and the interior lives of Laotian refugees. Characters who undertake 'the grunt work of the world', laboring in poultry plants, hog farms, and nail salons, also harbor vivid fantasies... brief glimpses of freedom in otherwise impenetrable places."—NEW YORKER
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