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Sintesi dell'editore

This original audio collection, featuring much newly recorded material, is a stunning realization of some of the writer’s best and edgiest work, as well as a fiery visit to some of his more secret stories.

His words, his voice, what the New York Times has called “liquid lava.”

Harlan Ellison has won more awards for imaginative literature than any other living author, including the Edgar, Hugo, Nebula, and Bram Stoker awards.

Contents include: “Jeffty is Five” (Hugo and Nebula winner) and brand new performances of “The End of the Time of Leinard,” “The Function of Dream Sleep,” “In Lonely Lands,” the rare “Rat Hater,” the title story, and other previously unrecorded gems.

Copyright on all contents as follows:

“The Voice from the Edge, Volume 2: Midnight in the Sunken Cathedral.” Sound recording, text and compilation: copyright © 2001 by The Kilimanjaro Corporation. All rights reserved. “In Lonely Lands” by Harlan Ellison. Copyright © 1958 by Harlan Ellison. Renewed, 1986 by The Kilimanjaro Corporation. All rights reserved. “S.R.O.” by Harlan Ellison. Copyright © 1957 by Harlan Ellison. Renewed, 1985 by The Kilimanjaro Corporation. All rights reserved. “The End of the Time of Leinard” by Harlan Ellison. Copyright © 1958 by Harlan Ellison. Renewed, 1986 by The Kilimanjaro Corporation. All rights reserved. “Pennies, Off a Dead Man’s Eyes” by Harlan Ellison. Copyright 1969 by Harlan Ellison. Renewed, 1997 by The Kilimanjaro Corporation. All rights reserved. “Midnight in the Sunken Cathedral” by Harlan Ellison. Copyright © 1995 by The Kilimanjaro Corporation. All rights reserved. “Rat Hater” by Harlan Ellison. Copyright © 1956 by Harlan Ellison. Renewed, 1984 by The Kilimanjaro Corporation. All rights reserved. “Go Toward the Light” by Harlan Ellison. Copyright © 1994 by The Kilimanjaro Corporation. All rights reserved. “The Function of Dream Sleep” by Harlan Ellison. Copyright © 1988 by The Kilimanjaro Corporation. Postscript by Harlan Ellison. Copyright © 2001 by The Kilimanjaro Corporation. All rights reserved. “Jeffty is Five” by Harlan Ellison. Copyright © 1977 by Harlan Ellison. Renewed, 2005 by The Kilimanjaro Corporation. All rights reserved. “Soft Monkey” by Harlan Ellison. Copyright © 1987 by The Kilimanjaro Corporation. All rights reserved. “Prince Myshkin, and Hold the Relish” by Harlan Ellison. Copyright © 1982 by The Kiliminjaro Corporation. All rights reserved.

©2001 The Kilimanjaro Corporation (P)2010 Blackstone Audio, Inc.

“Eleven spine-chilling, super creepy short stories are read by the Master of Science Fiction and the Supernatural, Harlan Ellison. In his deep, hard voice, Ellison weaves tales dating from 1956 through 1995, including the title story and ‘Rat Hater’ and ‘Go Toward the Light.’ Ellison’s incredible imagination and vocal manipulation of words and emotion create an entire world and atmosphere with the very beginning of each tale and enthusiastically and dynamically maintain them to the very end of each story….These tales are rife with dramatization and emotional suspense.” ( AudioFile)

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  • Totali
    4 out of 5 stars
  • Interpretazione
    5 out of 5 stars
  • Storia
    4 out of 5 stars
  • Katherine
  • 03 12 2013

Ellison is a wonderful storyteller

Originally posted at Fantasy Literature

As much as I dislike the man personally, I have to say that Harlan Ellison writes great stories. Even the stories that I don’t like — because they’re violent, gory, gross, or full of others varieties of ugliness — are good stories. And if there’s anything that Harlan Ellison does better than write great stories, it’s narrate them. He’s a superb story teller. That’s why I’ve picked up all of his Voice From The Edge recordings at Each is a collection of Ellison’s stories which he narrates himself. This second volume, Midnight in the Sunken Cathedral, contains these stories:

“In Lonely Lands” — (first published in 1959 in Fantastic Universe) This very short story is about loneliness, companionship, and dying. It’s touching and thought provoking.

“S.R.O” — (1957, Amazing Stories) A down-and-out producer wants dibs on the exploitation of an alien spaceship that has landed in Times Square. I saw where this was going, but it was still entertaining. Perhaps most entertaining his how Harlan Ellison narrates it with New York City accents.

“Midnight in the Sunken Cathedral” — (1995, Eidolon: The Journal of Australian Science Fiction and Fantasy) A man whose father died in an industrial accident before he was born meets him again in the Bermuda Triangle. Atmospheric and creepy.

“The End of the Time of Leinard” — (1958, Westeryear anthology) This story was written for a Western themed anthology, so it’s not speculative fiction. It’s a thoughtful piece in which a town decides that it no longer likes the frontier style of the sheriff they hired years ago. They don’t like him because they think he’s uncivilized, yet he’s the reason the rest of them are civilized.

"Pennies, Off a Dead Man’s Eyes — (1969, Galaxy Magazine) When a white man goes to the funeral of his black friend, he sees a white woman steal the pennies off the dead man’s eyes. The friend of the dead man wants to know why.

“Rat Hater” — (1956, The Deadly Streets) After 18 years of waiting for revenge for the murder of his sister, a mob boss tortures a man with a rat phobia. This story is extremely unpleasant. It’s hard to imagine why Harlan Ellison would think this was fun to write or entertaining for the reader. Yuck. I wish I could wipe it from my mind.

“Go Toward the Light” — (1996, The Magazine of Fantasy & Science Fiction) Physicists have learned how to use light to travel through time. After an argument with a fellow Jewish scientist about believing in miracles and what it means to be a “good Jew,” a man goes back to ancient Jerusalem to witness a miracle. I like this story.

“Soft Monkey” — (1987, The Black Lizard Anthology of Crime Fiction) A homeless black woman carries around a doll who she thinks is her baby who died years ago. When she witnesses a gruesome murder on the streets, she finds the extraordinary strength required to protect her “baby” from the white men who want to make sure she can’t talk. This story is named after Harry Harlow’s “Soft Monkey” experiments which Ellison explains at the beginning of the story. Ellison has the science backwards, though — it’s the baby who needs the soft mother, not the mother who needs the soft baby. That error doesn’t at all affect the story, but I’m a psychologist, so I just couldn’t let it go by…

“Jeffty is Five” — (1977, The Magazine of Fantasy & Science Fiction) The narrator grows up while Jeffty, his childhood friend, remains intellectually five years old which is devastating for Jeffty’s parents. This story is so heartbreaking, but it’s also a gleeful nostalgic stroll through the mid 20th century (especially for geeks). This was my favorite story in the collection. I loved it. (If it wasn’t so cliché, I’d say “I laughed, I cried” because I did.) I wasn’t surprised to find out that “Jeffty is Five” won the Hugo, Nebula, British Fantasy, and Locus Poll Awards. You really don’t want to miss this one.

“Prince Myshkin, and Hold the Relish” — (1982, Shayol) In the introduction, Harlan Ellison tells us that “Prince Myshkin, and Hold the Relish” is meant to be listened to, not read. In this frantically-paced run-on-filled story about hotdogs and Dostoyevsky, the narrator (probably Harlan Ellison himself) is arguing with a hotdog vendor about the characters in the cannon of “the fabulous Fyodor” when a man in an ice cream cone suit walks up to tell them the story of how all his girlfriends have died tragically. It’s pretty amusing.

“The Function of Dream Sleep” — (1988, Midnight Grafitti) Most psychologists would say that the function of R.E.M. (dream) sleep is to help us consolidate memories, but in 1983 Mitchison and Crick proposed that it also functions to remove certain (probably weak or unnecessary) memories from the brain. This story about a man who believes he has a sharp-toothed mouth in his side that opens when he’s asleep, addresses this idea. In the author’s note at the end of “The Function of Dream Sleep,” Ellison explains that this story is autobiographical. The narration gave me chills.

The Voice From the Edge, Vol 2: Midnight in the Sunken Cathedral is definitely worth a look — or should I say listen? (If you’re going to read Harlan Ellison’s stories, which you should, you must, I insist, try the audio versions.) Be warned that his stories are visceral and there is a lot of ugliness here — a gruesomely described industrial accident, torture, murder, violent acts, repulsive language. Most of these stories won’t make you think pleasant thoughts, but they will make you think. Most won’t make you feel good, but they will make you feel.

5 su 5 utenti hanno ritenuto utile questa recensione

  • Totali
    5 out of 5 stars
  • Interpretazione
    5 out of 5 stars
  • Storia
    5 out of 5 stars
  • Nickolas S Rudolph
  • 03 06 2017

Ellison is the best narrator and storyteller

The REM Group is one of his greatest stories and the way he voiced his stories is topnotch.

1 su 1 utenti hanno ritenuto utile questa recensione

  • Totali
    2 out of 5 stars
  • Interpretazione
    2 out of 5 stars
  • Storia
    2 out of 5 stars
  • Darryl
  • 04 07 2014

second volume of H.E. super ego

again, if you've seen my V1 review you know in general what i think.

I will say that Soft Monkey & Jefty is 5 are by far the best in here. They are the only 2 i would consider re-listening to.

Rat Hater is simply an amped-up idea "stolen" from the end of 1984 and like Stephen King, many times all that is done is an existing idea is taken and sex and blood and violence and swearing are poured on in generous doses. If you strip away some of this "camouflage" you will begin to see how thin the writing is. This is true of almost all of Ellison and King's stories.

I don't find the majority of his stories to be well written, creepy, thought-provoking nor even interesting.

on to V3

2 su 5 utenti hanno ritenuto utile questa recensione