Eye of the Beholder copertina

Eye of the Beholder

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Eye of the Beholder

Di: Emma Bamford
Letto da: Jane Collingwood
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A proposito di questo titolo

“Highly recommended for fans of Vertigo and readers who enjoy the intricately plotted novels of Ruth Ware, Sarah Pearse, and Riley Sager” (Booklist), this atmospheric and sinister novel follows a ghostwriter searching for answers when her lover reappears after his mysterious death.

When Maddy Wight is hired to ghostwrite the memoir of world-renowned cosmetic surgeon Dr. Angela Reynolds, she thinks it might just be her chance to get her career back on track. She travels to Angela’s remote estate in the Scottish Highlands to learn everything she can but the deeper she digs, the more elusive the doctor becomes. Is there more hidden beneath the surface of the kaleidoscopic beauty industry than Angela wants to reveal?

Sharing the estate is Angela’s enigmatic and mercurial business partner, Scott. Confined to the glass-walled house, Maddy can’t shake the feeling of being watched. As objects go missing, handprints appear on the windows, and a stranger lurks in the grounds, she finds herself drawn ever closer to Scott. Returning to London once the book is finished, Maddy is excited for their future together. But her dreams are shattered at the book launch when Angela learns that Scott has leapt to his death from the Scottish cliffs.

Which is why, months later and lost in a fog of grief, Maddy is completely blindsided when she sees Scott entering the Tube station just in front of her. It can’t be him, can it? After all, Scott is dead...or is he?
Gotico Horror Narrativa di genere Narrativa letteraria Psicologico Suspense Thriller e suspense

Recensioni della critica

"Jane Collingwood keeps listeners in Hitchcockian suspense with this new thriller set in the world of antiaging, beauty, and murder most foul. Ghostwriter Maddy Wight understands the need to be discreet about her clients, but her latest one, Dr. Angela Reynolds, brings new meaning to the word “secrecy.” Left alone to write at Reynolds’s massive estate in the Scottish Highlands, Maddy finds herself falling in love with Reynolds’s seemingly emotionally unstable business partner, Scott. Maddy is crushed when she hears of Scott’s death—until she sees him exiting a Tube station in London. Jane Collingwood deftly moves between English, Scottish, and American accents, creating believable characters. Collingwood’s performance captures the confusion and frustration of Maddy’s quest for the truth."
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