Cosmogramma copertina

Cosmogramma

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Cosmogramma

Di: Courttia Newland
Letto da: Neil Reidman, Brenda Iyalla
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An exquisite collection of speculative fiction stories depicting an alternate future as lived by the African diaspora.

In his sharply crafted, unnerving first collection of speculative short stories, Courttia Newland envisages an alternate future as lived by the African diaspora.

Robots driven by all-too-human urges set out to colonize space; Kill Parties roam the streets of a postapocalyptic world; a matriarchal race of mer creatures depends on interbreeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity.

Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition, and self-destruction, but ultimately of our strength and resilience.
Afroamericani Antologie e racconti brevi Fantascienza Narrativa di genere Narrativa letteraria
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Recensioni della critica

Newland’s writing is in league with a host of SF subgenres, from pulpy space opera to N.K. Jemisin–style Afrofuturism to Jeff VanderMeer–esque eco-fiction. But his chief skill is weaving those tropes into stories that are both wildly speculative and on the news . . . Wide-ranging and deeply imaginative; Newland is equally at home in council flats and deep space.—Kirkus Reviews

The collection’s 16 stories interweave an unsettling familiarity with the strange, tackling themes such as the technological arms race, addiction, racism, state-sanctioned violence, and xenophobia, holding up a mirror to contemporary society and forbidding the reader to look away and take comfort in escapism . . . These visions of largely grim alternate realities and bleak futures will be appreciated by those who prize speculative fiction’s ability to tell uncomfortable truths about our present.—Booklist

A collection that pushes the edges of sci-fi and Africanfuturism. The stories in Cosmogramma deal with class, race, and power imbalance, and more than one of them ends in regime change and/or mass casualties at the hands of renegade robots and/or mutant children. Sound grim? It can be, but Newland’s cinematic storytelling and sense for justice often leave you feeling like things turned out the way they should. —Philadelphia Inquirer, one of the Best New Books of November 2021
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