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Sintesi dell'editore

Set in 1938 Brooklyn, this gripping psychological mystery begins when attractive, level-headed Sylvia Gellburg suddenly loses her ability to walk. The only clue lies in Sylvia’s obsession with news accounts from Germany. Though safe in Brooklyn, Sylvia is terrified by Nazi violence—or is it something closer to home?  

Includes an interview with Dr. David D. Clarke about psychosomatic illnesses. 

Recorded before a live audience at the DoubleTree Suites, Santa Monica in June 1996. 

Directed by Steve Albrezzi 

Producing Director: Susan Albert Loewenberg

An L.A. Theatre Works Full-Cast Performance Featuring: 

Jane Brucker as Harriet 

David Dukes as Doctor Harry Hyman 

Lawrence Pressman as Phillip Gellburg 

Linda Purl as Margaret Hyman 

John Vickery as Stanton Case 

JoBeth Williams as Sylvia Gellbur

Radio Production and Original Music: Raymond Guarna 

Stage Manager and Live Sound Effects: Amy Strong

(P)1997 L.A. Theatre Works

Recensioni editoriali

Sylvia Gellburg (JoBeth Williams) has stopped walking, and her husband, Philip (Lawrence Pressman), is determined to find out why. His only clue is her growing obsession with stories coming out of Germany about Nazi violence toward Jews. Setting his drama in Brooklyn, 1938, Miller uses the Nazi atrocities overseas as a mirror for the Gellburgs' troubled marriage and Philip's own inadequacies. He creates an intensely personal play, but one that lends itself to the kind of intimacy that audio theater excels in. As Dr. Harry Hyman (David Dukes) probes Sylvia and Philip's secrets, he probes ours as well. Like ripples in pond water, what happens in Germany happens to the Gellburgs and the audience as well, in the hands of these fine artists.

Cosa pensano gli ascoltatori di Broken Glass

Valutazione media degli utenti

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Filtra per:
  • Generale
    5 out of 5 stars
  • Lettura
    5 out of 5 stars
  • Storia
    5 out of 5 stars
  • Billy
  • 24/06/2018

A Miller Classic

Arthur Miller has always been my favorite playwright. He manages to take dark, heavy material and presents it in a unique way. While some will think the material is heavy handed (particularly in current times), everyone should listen to this performance. Miller’s genius is on full display.

1 persona l'ha trovata utile

  • Generale
    2 out of 5 stars
  • Lettura
    3 out of 5 stars
  • Storia
    2 out of 5 stars
  • Cameron
  • 17/12/2017

Not so good

Simple and melodramatic. This play came late in Miller's career and amounts to a cheap imitation of Henrik I sent. Would not recommend.

1 persona l'ha trovata utile

  • Generale
    5 out of 5 stars
  • Lettura
    5 out of 5 stars
  • Storia
    5 out of 5 stars
  • Minnaloushe
  • 25/12/2018

Excellent performances, excellent sound

Was really moved by this wonderful production of Broken Glass, it was an amazing afternoon listening to the play, wish it had lasted longer!

  • Generale
    5 out of 5 stars
  • Lettura
    5 out of 5 stars
  • Storia
    5 out of 5 stars
  • Hayden
  • 30/04/2017

AMAZING!!!

This play was one of the best that I have ever seen/heard. The ending was absolutely thrilling and left me thinking!

Ordina per:
Filtra per:
  • Generale
    5 out of 5 stars
  • Lettura
    5 out of 5 stars
  • Storia
    5 out of 5 stars
  • P. A. Barrow
  • 27/06/2019

Wow!!

Another incredible book. The performance were amazing and were filled with emotion. Would recommend. .