Beat the Reaper
A Novel
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Beat the Reaper
Letto da:
Robert Petkoff
Acquista ora a 12,13 €
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Letto da:
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Robert Petkoff
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Di:
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Josh Bazell
Dr. Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.
Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.
Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...
Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.
Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, Beat the Reaper is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.
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Recensioni della critica
"This mordant and maniacal debut has junkie doctors and negligent nurses galore, which is somewhat brow-raising given that it was penned by a genuine doctor. Robert Petkoff does an excellent job integrating the author's dispassionate asides (figured in the printed book as footnotes) into the main story."—Audible.Com Editor's Pick
"I couldn't wait to slip in the next CD...It's not just this setup that works so wonderfully; it's Bazell's brutal, completely contemporary way of telling his story that is so compelling. Brown is a fully realized, pill-popping, arm-twisting maniac whose back-story is told exuberantly by first-person narrator Robert Petkoff, in a brilliant performance."—Winston Salem Journal
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