You Can See Everything (2026) — Total Access, Zero Knowledge
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You Can See Everything (2026) — Total Access, Zero Knowledge
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Letto da:
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Directed by: Nathan Fielder, Lance Oppenheim
Written by: No writing credit (documentary)
Starring: Elizabeth Holmes, Nathan Fielder, Billy Evans
IMDB: https://www.imdb.com/title/tt45368240/
In this episode of Mindframes, Michael and Dave discuss You Can See Everything (2026), the A24 documentary in which Nathan Fielder and Lance Oppenheim move in with Elizabeth Holmes and Billy Evans in the 34 days before she reports to prison.
The discussion explores what Fielder and Oppenheim each bring to the partnership, whether a film this staged still counts as a documentary, how Holmes compares to her portrayal in The Dropout, and whether she is a fraud, delusional, or both. Along the way they compare the film to the work of Errol Morris and Werner Herzog, Primetime, Dick Johnson Is Dead, and Nirvanna the Band the Show the Movie. Both hosts give it five stars, though Michael says the fifth was especially hard won.
Thematic DiscussionYou Can See Everything explores the gap between access and knowledge: total access, zero knowledge.
The film gives us more of Elizabeth Holmes than anyone has ever had, at home, on the beach, with her kids, inches from the camera, and she only gets harder to read the closer it gets. Michael and Dave ask whether she is unknowable because people always are, or because she has made herself that way, and whether a filmmaker who openly shapes the story can still get any closer to the truth.
Timestamps TimeSegment00:00Intro & setup01:26The synopsis and the Elizabeth Holmes story so far05:32The central question: how do you ever really know a person?07:10Directors: Nathan Fielder and Lance Oppenheim13:58Is there a cast in a documentary? Errol Morris, Herzog, and the blurred line26:02Technical analysis: the close-ups, the light, and the pacing34:14Spoiler-free reviews45:31Spoiler section begins47:24The Dropout, Dr. Phyllis Gardner, and fraud vs. delusion56:26The re-creations and what dramatization owes the truth1:10:25Malice, denial, and following the money1:17:20The beach, the kids, and the "you can see everything" text1:21:06Saw a lady in half: David Fear's magic-trick metaphor1:22:06Is this a "pure" documentary? Honesty vs. objectivity1:28:29When re-creations work: Naza and The Voice of Hind Rajab1:32:51Final interpretation1:36:25Closing thoughts Films & Directors Mentioned- Primetime (Lance Oppenheim, 2026)
- Some Kind of Heaven (Lance Oppenheim)
- Ren Faire (Lance Oppenheim)
- Nathan for You, The Rehearsal, The Curse (Nathan Fielder)
- The Dropout (Hulu)
- Bad Blood (John Carreyrou's book)
- Errol Morris, Standard Operating Procedure
- Werner Herzog
- Teenage Sex and Death at Camp Miasma (Jane Schoenbrun, 2026)
- Nirvanna the Band the Show the Movie
- Naza (2026)
- The Voice of Hind Rajab (Kaouther Ben Hania)
- Dick Johnson Is Dead (Kirsten Johnson)
- John Candy: I Like Me
- Ken Burns, The Civil War
- Michael Moore
- Tiger King
- Trainwreck: Poop Cruise
- Fyre
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