The Beatles' Secret Favorite Drug: It Wasn't What You Think 🎸💊

Impossibile aggiungere al carrello

Puoi avere soltanto 50 titoli nel carrello per il checkout.

Riprova più tardi

Rimozione dalla Lista desideri non riuscita.

Riprova più tardi

Non è stato possibile aggiungere il titolo alla Libreria

Per favore riprova

Non è stato possibile seguire il Podcast

Per favore riprova

Esecuzione del comando Non seguire più non riuscita

The Beatles' Secret Favorite Drug: It Wasn't What You Think 🎸💊

Ascolta gratuitamente

Vedi i dettagli del titolo

3 mesi a soli 0,99 €/mese

Dopo 3 mesi, 9,99 €/mese. Si applicano termini e condizioni.

A proposito di questo titolo

When we look back at the 1960s, we tend to see it through a hazy, sometimes romanticized, Technicolor lens of peace, love, and “flower power.” But if you want to know the truth about how the Beatles actually survived their decade of world domination, you have to look past the incense and peppermint. The Beatles weren’t just musical pioneers; they were elite-level chemical explorers, for better or worse.From the grimy clubs of Hamburg to the high-society dinner parties of London, the band’s sound evolved in lockstep with what they were swallowing, smoking, or snorting. They moved from drugs that helped them work, to drugs that helped them think, and finally—tragically—to drugs that helped them disappear.The Hamburg “Work” Ethic: Speed and the Prellies 💊Before they were the darlings of the Ed Sullivan Show, the Beatles were musical endurance athletes. In 1960, they were sent to Hamburg, Germany, to play in the Reeperbahn—a red-light district that makes modern Las Vegas look like a church picnic.They were expected to play for eight hours a night, seven days a week. You can’t do that on a diet of bratwurst and tea. To keep their energy up, they turned to Preludin, or “Prellies.” These were diet pills—essentially pharmaceutical-grade speed—that the club waiters and even the “friendly” local ladies would provide.John Lennon later admitted that they would be “talking their mouths off” and playing at a breakneck, frantic pace just to stay awake. That high-energy, “mach schau” (make a show) style that defined their early hits? That wasn’t just youthful exuberance. It was a chemical byproduct of a band trying to survive a German basement at 4:00 AM.The Great Pivot: Bob Dylan and the Green Room 🌿For the first few years of their fame, the Beatles were mainly “drinkers.” They’d have Scotch and Cokes, but they were still essentially professional showmen. But everything changed on August 28, 1964, at the Delmonico Hotel in New York.Bob Dylan arrived at their suite and, thinking the Beatles were already “experienced,” offered them a joint. As legend has it, Dylan had misheard the lyric in I Want to Hold Your Hand—”I can’t hide”—as “I get high.” When he realized the Beatles were “green,” he lit up anyway. Ringo, not knowing the etiquette, Bogarted that first doobie all by himself and dissolved into a fit of giggles. Soon, all four were “flying.” As Ringo later recalled, “We got high and laughed our asses off.”This was a massive pivot. Speed makes you loud and fast; marijuana can make you introspective and weird. Perhaps it wasn’t coincidence that the Beatles soon ditched the jelly-baby tunes. They quit writing about “holding hands” and began writing about “Nowhere Men” and “Paperback Writers.” By the time they were filming Help!, they were stoned for breakfast. If you watch the movie today and wonder why they look so genuinely confused during the action scenes, it’s because they probably were.The Hidden Playlist: Drug Lore vs. Reality* “Lucy in the Sky with Diamonds” — (1967) The public was convinced they had cracked a secret code here, pointing to the initials L-S-D. It seemed like an open-and-shut case, but Lennon insisted until his dying day that it was purely inspired by a drawing his son Julian brought home from school, and the subject was his classmate, Lucy O’Donnell. (Verdict: Misinterpreted) 🎨* “Got to Get You Into My Life” (1966) — For decades, teenagers listened to this as a standard, upbeat Motown-style love song about a girl. But Paul eventually let the cat out of the bag: this was his “ode to pot.” He wrote it as a literal love song to the plant itself, celebrating the way it had changed his perspective. Once you know that, the lyric “I was alone, I took a ride, I didn’t know what I would find there” takes on a whole new meaning. (Verdict: Correct) 🌿* “Day Tripper” (1965) — Many listeners thought it was about a literal traveler, but John later revealed it was a “sneer” at “weekend hippies.” He was making fun of the people who would take acid on a Saturday but put on their suits and short hair for their office jobs on Monday. (Verdict: Correct) 🚌* “A Day in the Life” (1967) — The BBC banned this masterpiece because of the line “I’d love to turn you on.” The authorities saw it as a blatant invitation to the youth to start experimenting. For once, the BBC was actually right—John and Paul admitted the line was a deliberate nod to the “mind-expanding” culture they were currently leading. (Verdict: Correct) 🌀* “Yellow Submarine” (1966) — In the late ‘60s, the counterculture was convinced the “submarine” was a metaphor for Nembutal capsules (yellow barbiturates). The common interpretation: As the “submarine” went down, the drug submerged your feelings. In reality, Paul just wanted to write a fun, slightly surreal children’s song ...

Ancora nessuna recensione